12 Best Desktop Computers for Music Production (September 2026) Experts Guide

The best desktop computers for music production pair a fast CPU with enough memory for your sessions, an SSD that does not hold projects back, and stable connections for an audio interface. For most people, that means at least 16GB of memory and SSD storage; 32GB is the more comfortable starting point once virtual instruments and larger multitrack projects become routine.

I ranked the 12 systems below from their listed processors, memory, storage, ports, operating systems, dimensions, and buyer-feedback summaries. I have not treated a listing specification as a DAW benchmark, and I have not claimed hands-on test results that the supplied data does not support.

A desktop PC for music production is worth considering when recording reliability, plugin headroom, and storage matter more than portability. Apple systems suit people committed to Logic Pro or macOS, while the Windows choices offer familiar options for Ableton Live, Pro Tools, FL Studio, and Cubase; your audio interface driver and preferred DAW should decide the platform before brand loyalty does.

The Top 3 Desktop Computers for Music Production Are These

My direct picks are the compact Mac mini M4 Pro for a powerful macOS setup, the Dell Tower ECT1250 for a current Windows tower with 32GB memory, and the HP OmniDesk for an eight-core Ryzen desktop with 1TB of NVMe storage. Each begins with specifications that fit serious music work rather than just casual office tasks.

These Desktop Computers Cover Music Production Needs in 2026

This overview puts all 12 desktop options in one place. I would start with processor, installed memory, SSD capacity, operating system, and physical form factor, then check your interface connection and the plug-in libraries you expect to run.

1. Apple Mac mini M4 Pro Is the Best Compact macOS DAW Computer

The Mac mini M4 Pro has the cleanest specification mix here for a compact macOS music production computer: a 12-core CPU, 24GB of unified memory, and a 512GB SSD. Its 4.8 rating from 218 reviews also gives it one of the stronger buyer-feedback summaries in this group.

I would put it at the top of a Logic Pro desk or a small Ableton Live studio where physical footprint matters. The listed 5 by 5 by 2 inch enclosure is exceptionally small, while front and rear USB-C, Thunderbolt, HDMI, a headphone jack, and Gigabit Ethernet cover the basic connections a fixed studio desk needs.

The Mac mini M4 Pro Fits Compact macOS Studios

This is the system I would choose when macOS is non-negotiable and 24GB of unified memory matches the expected project size. The 1.6-pound desktop can sit beside an interface or monitor stand instead of taking up the floor or desk space of a tower.

Thunderbolt matters for producers who already use compatible high-bandwidth storage or audio hardware. The product data lists the port family, but I would still verify a particular interface and its driver against the DAW version before committing.

The Mac mini M4 Pro Calls for a Storage Plan

The included 512GB SSD is a fast solid-state starting point for the system, applications, current work, and a modest sample collection. Larger orchestral libraries and archived multitrack sessions can consume that space rapidly, so an external drive plan is sensible.

The supplied listing does not state memory or internal-storage upgrade details. I would select the configuration based on the heaviest anticipated project, not only the smallest session you can run today.

2. Dell Tower ECT1250 Is the Strongest Current Windows Tower Choice

The Dell Tower ECT1250 starts with a Core Ultra 7-265 processor, 32GB of DDR5-5600 memory, and a 1TB M.2 NVMe SSD. That is a practical on-paper baseline for larger plug-in chains, audio editing, mixing, and virtual-instrument work on Windows.

I rate it highly for producers who want a conventional tower rather than a mini PC or all-in-one. Dell lists tool-less entry for easier upgrades, support for up to four monitors, Wi-Fi 6, Bluetooth, and Windows 11 Home; those details make it a flexible center for a multi-screen studio.

The Dell Tower ECT1250 Supports Growing Windows Sessions

Thirty-two gigabytes of installed DDR5 memory means you are not starting at the basic 16GB level that forum users often describe as workable but limiting. I would favor that headroom for Kontakt-style libraries, several software instruments, and large arrangements.

The 1TB NVMe SSD is also a more forgiving starting capacity than a smaller boot drive. It can keep current sessions, applications, and a working sound-library subset local, though a backup drive remains necessary for valuable recordings.

The Dell Tower ECT1250 Needs Interface Compatibility Checks

Intel UHD graphics use shared memory, and a dedicated graphics card is not listed. That is not automatically a concern for audio production, because CPU, RAM, fast storage, and reliable audio drivers affect real-time sessions more directly than high-end graphics.

I would check ASIO support and Windows 11 compatibility on the audio-interface maker’s site before setting up a recording day. The tower’s card reader and included wired keyboard and mouse are welcome desk conveniences, but they do not replace driver verification.

3. HP OmniDesk Ryzen 7 Is the Best Ready-to-Work AMD Desktop

The HP OmniDesk pairs an eight-core Ryzen 7 8700G with 32GB of DDR5-5200 memory and a 1TB PCIe Gen4 NVMe M.2 SSD. That specification directly answers what I want to see in a Windows music production desktop before adding an audio interface, monitors, and external backup.

It also lists 10 USB ports, HDMI output, Wi-Fi 6, Bluetooth 5.4, and a wireless keyboard and mouse. I would consider it for a producer moving into heavier projects who wants a modern Ryzen system without sourcing separate core components.

The HP OmniDesk Handles Memory-Hungry Arrangement Work

The installed 32GB memory gives a more relaxed starting point for simultaneous effects, samplers, and browser-based reference material. Its Ryzen 7 processor is specified at 4.2GHz base and up to 5.1GHz maximum, which is relevant because low-buffer real-time work benefits from responsive CPU performance.

Forum discussions repeatedly point Windows producers toward Ryzen systems, while also warning that actual results depend on the interface driver and project load. I would treat the listed CPU as a strong foundation rather than a promise of a particular track count.

The HP OmniDesk Offers Practical Studio Connectivity

A 1TB internal SSD lets you separate the operating system, DAW, active projects, and many sound files without an immediate capacity squeeze. The Radeon 780M integrated graphics are enough for desktop displays, and music creation does not demand a powerful discrete GPU unless video or gaming is part of the same workstation.

The listing supplies no display, so plan monitor selection independently. Its 12.7-pound, 13.27 by 6.1 by 12.4 inch tower dimensions are worth measuring against a studio shelf or desk compartment.

4. Apple iMac M4 Is the Best All-in-One macOS Production Desk

The iMac M4 combines a 10-core CPU and GPU, 16GB of unified memory, 512GB SSD storage, and a 24-inch 4.5K Retina display in one desktop. I would shortlist it for someone who wants an uncluttered Logic Pro workstation and does not already own a monitor.

The listing also includes up to two external 6K displays, Wi-Fi 6E, Bluetooth 5.3, a 12MP Center Stage camera, three studio-quality microphones, and six speakers with Spatial Audio. Those built-in media features are useful for calls and casual playback, but I would still monitor and record through proper studio speakers, headphones, and an audio interface.

The iMac M4 Simplifies a Small Production Room

The all-in-one format reduces the number of separate objects on a desk: computer and primary display arrive in one 21.54 by 5.79 by 18.15 inch unit. For a beat maker working in a bedroom or a teaching space, that simplicity can be more useful than a large, expandable tower.

I would connect MIDI controllers, interfaces, and external drives with a port plan in hand. The listing mentions up to four Thunderbolt 4 ports, which offers more connection flexibility than many compact desktops.

The iMac M4 Starts at the Basic Memory Tier

Sixteen gigabytes is enough for basic production, editing, and smaller instrument sets, and it aligns with the common minimum mentioned by producers. It may feel tighter in sessions full of large sample libraries, so I would map likely plug-in and instrument use before selecting this configuration.

The 512GB SSD is a solid system drive but not a complete archival solution. Keep active work and frequently used sounds close, then maintain copies of finished sessions and irreplaceable recordings elsewhere.

5. Apple Mac Studio M1 Max Is the 32GB macOS Alternative

This renewed Mac Studio lists an Apple M1 Max chip, a 10-core CPU, 32GB of RAM, and a 512GB SSD. I would look at it when the 32GB figure is more important to your macOS workflow than owning a new desktop, especially for large instrument templates and dense mix sessions.

The supplied data says it has been professionally inspected, tested, and cleaned, and that it is eligible for replacement or refund within 90 days. It also says this is not Apple-certified, accessories may not be original, and it may arrive in a generic box, so condition expectations need to be realistic.

The Mac Studio M1 Max Provides More Listed Memory

The chief attraction is straightforward: 32GB RAM offers more listed memory than the iMac M4 configuration and the Mac mini M4 Pro configuration reviewed above. I would give that extra capacity priority if large virtual instruments are already part of your work.

The 10-core CPU and integrated graphics are suitable specifications for a dedicated macOS workstation. Still, listings alone do not establish buffer-size behavior in your particular DAW, so interface-driver research remains part of the decision.

The Renewed Mac Studio Requires Condition Awareness

A renewed system is not equivalent to a new system, and the listing describes a limited 90-day coverage period. I would inspect the included accessories, ports, and exterior promptly after arrival and keep the return terms available while setting it up.

The listing records 35 reviews and a 4.6 rating, which is useful but a smaller feedback pool than several systems here. Treat that feedback as one signal alongside the exact memory, storage, condition, and software needs of your studio.

6. GEEKOM A5 Is the Most Flexible Small Windows Mini PC

The GEEKOM A5 puts an AMD Ryzen 5 7430U, 16GB of DDR4 memory, and a 512GB M.2 NVMe SSD in a 4.6 by 4.4 by 1.9 inch metal mini PC. Its data is especially interesting for a small music-production desktop because memory is listed as expandable to 64GB and SSD capacity as expandable to 4TB.

I would treat it as a compact Windows starting point for beat making, editing, and lighter Ableton Live or FL Studio projects rather than assume it matches the heavier towers above. The listed 45W power consumption is also the only explicit power figure in the group, which may matter in an always-on creative nook.

The GEEKOM A5 Brings Real Expansion Potential

Upgradeable memory and storage distinguish this mini PC from configurations that must remain exactly as purchased. That path can be appealing when 16GB is fine for the first projects but 32GB or more becomes appropriate after adding larger sample collections.

The product data also lists four-screen output through two HDMI and two USB-C connections, 8K visuals via USB-C, six USB ports, Wi-Fi 6, Bluetooth 5.2, and a VESA mount. I would confirm the display layout does not conflict with audio-interface or external-drive connections.

The GEEKOM A5 Suits Efficient Moderate Workloads

The Ryzen 5 7430U reaches up to 4.3GHz according to the listing, but it is not presented as a high-core-count tower processor. For that reason, I would use realistic expectations: audio projects with a sensible freeze-and-bounce workflow are a better fit than a vast, always-live orchestral template.

Its IceBlast 2.0 cooling system is listed, yet no measured noise result is supplied. Producers recording acoustic sources should keep any computer outside the microphone’s pickup area until they can hear its behavior in their own room.

7. HP ProDesk 600 G6 SFF Is a Compact Entry Windows DAW Computer

This HP ProDesk 600 G6 SFF has an Intel Core i5-10400F six-core processor, 16GB DDR4 memory, and a 256GB PCIe NVMe SSD. I see it as an entry point for a producer whose sessions are modest and who would rather start with a small-form-factor Windows system than a mini PC.

Its processor is listed at 2.9GHz base and up to 4.3GHz turbo, and it includes 11 USB ports with USB-C, Gigabit Ethernet, HDMI, and DVI. That unusually broad USB count can be helpful when a desk has a MIDI keyboard, controller, external drive, interface, dongle, and backup device.

The HP ProDesk 600 G6 SFF Supports Basic Recording Rigs

Sixteen gigabytes of RAM meets the basic threshold cited in producer discussions for straightforward recording, mixing, and beat making. I would be more cautious with many large virtual instruments open at once, because RAM limitations are a common forum complaint in those sessions.

The included GeForce GT 610 provides dual-monitor support through HDMI and DVI. That graphics capability is about screen support here, not about audio performance; the CPU, memory, SSD, and interface driver remain the important audio pieces.

The HP ProDesk 600 G6 SFF Needs External Storage Early

The 256GB SSD can fill quickly after Windows, a DAW, plug-ins, project versions, and sample packs are installed. I would reserve it for the operating system and active work, then add external storage for libraries and archives.

The compact 10.63 by 3.74 by 11.93 inch chassis has clear placement benefits. Before buying, check whether the exact seller configuration includes the stated keyboard, mouse, and Wi-Fi adapter if those items matter to your setup.

8. HP ProDesk 600G6 SFF Is the Better 512GB Version for Beginners

The second HP ProDesk 600G6 configuration carries the same six-core i5-10400F and 16GB DDR4 memory but doubles the listed NVMe capacity to 512GB. For a music production computer for beginners, I find that added working room more practical than the 256GB option when both otherwise fit the same basic class.

This system lists Windows 11 Pro, USB Type-C at 10Gbps, HDMI, DVI-I, VGA, a Wi-Fi adapter, and a compact microtower body. The included keyboard and mouse may help a first desk come together, although studio monitors, headphones, interface, and MIDI gear still need separate choices.

The HP ProDesk 600G6 Gives New Producers a Useful Start

A 512GB NVMe SSD has enough room for the operating system, a DAW, a sensible plug-in folder, and current project work before extra storage becomes urgent. It does not eliminate the need to back up sessions in at least one separate location.

I would use this type of desktop for audio recording, editing, and smaller mixes, while practicing resource habits such as freezing CPU-heavy instruments and closing background applications. Those habits matter even with more powerful computers when a project becomes demanding.

The HP ProDesk 600G6 Has Clear Performance Boundaries

The listing identifies its GT 610 as entry-level dedicated graphics, so this is not a pick based on video rendering or gaming ambitions. For music production, that is acceptable if your workflow centers on audio, but the processor and 16GB memory still set a modest ceiling for huge sessions.

This listing is not marked Prime eligible and the data calls it a compact microtower. I would assess seller condition information and return terms carefully for any configuration that is not presented as a new retail system.

9. Dell OptiPlex 5070 Is the Best Renewed Windows Option With a Newer i7

The renewed Dell OptiPlex 5070 lists an i7-9700 processor up to 4.7GHz, 32GB DDR4 RAM, and a 1TB M.2 NVMe SSD. Those three core figures make it one of the more compelling Windows choices among the renewed desktops for a producer who needs more than the 16GB entry level.

It also brings Wi-Fi 6E with an AX210 card, Bluetooth 5.2, Windows 11 Pro, and dual 4K display support through two DisplayPort connections and one Type-C port. I would use the available ports for displays first, then plan interface and storage connections around the remaining I/O.

The Dell OptiPlex 5070 Has Enough Space for Larger Project Files

The 1TB NVMe SSD and 32GB RAM are a balanced pair for sessions that include projects, plug-ins, and a working selection of samples. A fast internal solid-state drive addresses the long load times that producers frequently associate with hard-disk-only setups.

The i7-9700 is a ninth-generation processor, so it is older than the current Core Ultra and Ryzen 7 systems above. I would compare its exact capabilities with your DAW’s requirements rather than make a generation-only decision.

The Dell OptiPlex 5070 Requires Careful Renewed-Buyer Review

The product data records a 4.0 rating from 150 reviews and says 15 percent of reviews are one-star. That is a meaningful reason to read current listing information, inspect the system on arrival, and retain a fallback plan for an important recording schedule.

External speakers are required, which is normal for studio work because most producers use dedicated monitors or headphones. The important distinction is that you should not count this desktop’s built-in audio arrangement as a substitute for an interface and monitoring chain.

10. Dell OptiPlex 3060 Is a Storage-Forward Renewed Desktop

The Dell OptiPlex 3060 couples an Intel Core i5-8500, 32GB of DDR4-2666 memory, and a 1TB SSD. I would place it below newer CPU options but above basic 16GB configurations for a producer whose immediate need is ample memory and a roomy SSD for project work.

The system includes Windows 11 Professional, built-in Wi-Fi, Bluetooth, HDMI and DisplayPort outputs, a DVD drive, and a 13-mode RGB lighting kit. None of those extras determine low-latency audio performance, but Wi-Fi and Bluetooth can be handy for a flexible home-studio desk.

The Dell OptiPlex 3060 Gives Small Studios 32GB Memory

Thirty-two gigabytes can make a material difference when several sample instruments, effects, and browser reference tracks stay open. I would still watch CPU load in the DAW, since memory capacity cannot compensate for a processor reaching its real-time limit.

The 1TB SSD is suited to a fast active-project drive and has more listed capacity than the entry HP ProDesk variants. Keep at least one separate backup, because an internal drive is not a protection plan for recordings and project revisions.

The Dell OptiPlex 3060 Is a Renewed Older-System Choice

The product data describes it as a renewed system with an older model year and a 90-day warranty. That status can suit a constrained setup, but I would not expect the same support horizon as a current production tower.

Its 4.2 rating is based on 1,144 reviews, the largest feedback count among the systems listed here. That is useful context, not a substitute for checking the specific seller’s configuration, condition notes, and software compatibility.

11. Dell Precision 3620 Is a Purpose-Listed Music Production Workstation

The Dell Precision 3620 is explicitly listed as an entry-level music production workstation, with an i7-6700 processor up to 4.0GHz, 32GB DDR4 RAM, a 512GB SSD, and a 2TB hard drive. I would view the dual-drive setup as its main practical advantage for someone who wants active work on SSD storage and bulk files separate.

It has Intel HD Graphics 530, dual video outputs, USB 3.0, HDMI, built-in speakers, and Windows 11 Pro. The data describes it as renewed and identifies the processor as older, so this is a function-first option rather than a current-generation recommendation.

The Dell Precision 3620 Separates Active and Archive Storage

A sensible use of the listed drives is simple: operating system, DAW, current sessions, and regularly accessed sounds on the 512GB SSD; copies, archives, and larger less-active files on the 2TB HDD. I would still avoid using a single internal HDD as the only backup location.

That arrangement can reduce the project-load frustration associated with putting everything on a hard drive. It does not change the fact that sample libraries streamed from an SSD often respond better than libraries placed only on slower mechanical storage.

The Dell Precision 3620 Has an Older CPU Ceiling

The quad-core i7-6700 is specified up to 4.0GHz, but it is a much older part than the processors in the Mac mini, Dell Tower, or HP OmniDesk. I would use it for sensible recording and mixing workloads, not buy it assuming it will match modern CPUs in dense virtual-instrument sessions.

The listing notes limited availability and a 4.1 rating from 118 reviews. If this workstation fits a specific storage need, verify availability and inspect its renewed condition as carefully as any other older desktop.

12. HP Z240 Is the Largest Listed Storage Workstation Configuration

The renewed HP Z240 workstation lists an Intel Core i7, 32GB DDR4 memory, a 1TB NVMe SSD, and a 2TB HDD. For producers managing many recorded takes, projects, stems, and sample downloads, this is the broadest stated internal storage arrangement in the roundup.

Wi-Fi 6E, a GT 1030 2GB graphics card, HDMI, DVI, DisplayPort, a DVD drive, and a wireless keyboard and mouse are listed as well. I would consider it when storage organization and multiple monitor outputs matter, while remembering that its specific Core i7 generation is identified elsewhere in the data as i7-6700.

The HP Z240 Gives Projects a Clear Internal Storage Layout

The 1TB NVMe drive can hold active production work and a large current library, while the 2TB HDD can hold archive material and duplicate project folders. That split is practical, but it remains wise to keep another copy away from the workstation.

With 32GB of memory, the machine begins at the recommended capacity for larger sessions rather than at the 16GB floor. I would still pay attention to processor load, because a RAM-rich workstation can run into CPU constraints when many plugins require real-time processing.

The HP Z240 Calls for Extra Condition Checks

The listing describes low availability, renewed status, and 15 percent one-star reviews. Those details do not make it unusable, but I would make condition verification and return coverage part of the buying decision rather than an afterthought.

Its listed dimensions are 16 by 7 by 17 inches, making it physically larger than small-form-factor or mini computers. Measure the intended position, leave room for cable bends and airflow, and keep fan noise away from open microphones when recording vocals or acoustic instruments.

The Right Music Production Desktop Starts With CPU, RAM, and Audio Stability

The core answer is simple: choose the strongest processor and most memory that match the size of your sessions, then pair them with an SSD and a compatible audio interface. A desktop matters because a dropout, crackle, driver conflict, or crash during a take interrupts creative work and can ruin a recording.

I would not choose by CPU brand alone. Apple M-series, Intel Core Ultra, Core i7, and AMD Ryzen chips can all work well; the meaningful question is whether the particular configuration has enough CPU response, memory, and storage for your DAW, effects, tracks, and instruments.

A Fast CPU Matters Most at Low Audio Buffer Sizes

Music production is CPU heavy when you ask the computer to process lots of effects, virtual instruments, and audio tracks in real time. Single-core responsiveness helps when one busy processing chain cannot be shared easily, while multiple cores help spread tracks and background tasks across the processor.

I would choose current higher-tier systems such as the M4 Pro Mac mini, Core Ultra 7 Dell, or Ryzen 7 HP OmniDesk for bigger arrangements. An older i5 or i7 can still be useful for basic recording, editing, and mixing, but it offers less margin before you need to freeze tracks or raise the buffer.

Thirty-Two Gigabytes Is the Comfortable RAM Target

Sixteen gigabytes is not inherently too small for music production: it can cover a new producer using a moderate number of tracks and plugins. The supplied forum research consistently calls it a minimum, while 32GB is the more common recommendation for several virtual instruments, substantial sample libraries, and heavy multitasking.

Is 64GB overkill for music production? It can be more than many producers need, but it is sensible for unusually large orchestral templates, demanding sound-design work, or sessions where many memory-heavy libraries remain loaded. I would buy 64GB for a known workload, not merely because a bigger number sounds better.

An NVMe SSD Keeps Sessions and Libraries Responsive

Solid-state storage is one of the least glamorous improvements and one of the most felt in daily work. Forum reports flag slow project loads with HDD-only systems, so I would run the operating system, DAW, current sessions, and frequently streamed sample libraries from an SSD whenever possible.

Capacity has a separate job from speed. A 256GB SSD may be sufficient for a lean setup, 512GB gives more breathing room, and 1TB is easier to live with for current work; external drives or a secondary internal drive can handle archives and backup copies.

Reliable Interface Connections Matter More Than a Dedicated GPU

For a pro audio PC, USB ports, USB-C, Thunderbolt, Ethernet, and stable wireless connections are practical considerations. Check what your audio interface uses, how many MIDI controllers and drives you connect, and whether an external hub could become a weak point in the signal chain.

A dedicated graphics card is not a baseline requirement for music production. Integrated graphics can run a DAW and displays; a stronger GPU becomes relevant mainly when the same computer is also used for demanding video editing, 3D work, or gaming.

Mac Is Better for Logic Pro While PC Is Better for Configuration Choice

A Mac is the direct choice for Logic Pro because that DAW runs on macOS, and Apple desktops offer a compact, integrated path. The Mac mini M4 Pro and iMac M4 make sense where macOS, Thunderbolt connectivity, and a small desk footprint matter most.

A Windows PC is a strong choice for Ableton Live, FL Studio, Cubase, and Pro Tools users who want more configuration variety, conventional tower form factors, and potential upgrade access. Neither operating system automatically prevents audio issues: confirm the interface driver, DAW version, plug-in compatibility, and operating-system support before changing systems.

Low DPC Latency Helps Windows Audio Remain Stable

DPC latency is the delay introduced when Windows drivers and hardware ask the processor for attention. If a driver holds that attention too long, the audio system may miss a deadline, which can show up as clicks, pops, glitches, or dropouts at lower buffer settings.

I would not claim a DPC latency result for any product here because none is supplied. After setting up a Windows DAW computer, install current interface drivers, test real sessions at usable buffer sizes, disconnect unneeded peripherals during diagnosis, and avoid making major operating-system changes immediately before a recording session.

A Quiet Computer Placement Protects Microphone Recordings

Fan noise matters more when recording a vocal, acoustic guitar, or any quiet source in the same room as the desktop. The supplied listings identify compact designs and cooling systems but do not provide measured noise levels, so no system in this list should be called silent based on that data alone.

I would position the computer away from the microphone, use longer interface and display cables when practical, and listen for noise before tracking. Smaller systems can reduce desk clutter, while a tower can be placed farther from the recording position if the room permits.

A Simple Windows Setup Reduces Avoidable Audio Problems

Start by installing the audio interface maker’s current Windows driver and selecting that driver inside the DAW. Then test a real project with your usual sample rate, buffer, plug-ins, and MIDI devices instead of relying on a synthetic speed test.

Keep the computer focused during recording by closing unneeded background software and postponing major updates until you have time to test the audio setup again. Some forum participants also report better results when internet and antivirus activity are limited on a dedicated music PC, but security and connectivity choices should remain appropriate for your own environment.

These Music Production Desktop Questions Have Straight Answers

The Best Choice Depends on Your DAW, Sessions, and Expansion Needs

For the best desktop computers for music production in 2026, I would start with the Mac mini M4 Pro if your work is firmly on macOS and compact size matters. The Dell Tower ECT1250 is my main Windows tower choice, while the HP OmniDesk makes a persuasive Ryzen 7 alternative with 32GB memory and a 1TB Gen4 SSD.

Do not let the computer decision end with CPU marketing. Compare the listed memory and SSD capacity, confirm interface-driver support, allow for backups, and choose a system whose physical size and connections make sense at your desk; stable music work comes from the complete setup, not one specification.